Thursday, March 16, 2006

Some Historical Stuff About Punk Rock

Sex_Pistol


As we reach the end of the sixties its perhaps a good time to stop and make some observations. Now it probably seems seem like the history of punk is all cause and effect i.e. that one band influences another band who influences another and so on until we get the Sex Pistols.

However like history itself, this is never true. There is a pool of bands like the MC5 and Velvet Underground, The Who and Stooges who are making seminal contributions to punk yet are making their own way and their own sounds and not necessarily influenced by each other. We have the development of non commercial dark or political music and confrontational commercial music. Something the Sex Pistols would exploit in their alliance with major record labels. Remember an artist wants to be heard or their music is redundant. It's the paradox of the artist that it relies on its audience no matter how much it despises it.

As we begin the seventies music is coagulating into different groups. Its the era of super groups; of playing to giant stadiums of people, of money and remoteness by being strung out on drugs and playing music that bears no relation to anyone's lives...anyone for the Lamb Lies Down On Broadway then? These bands were serious bands playing serious music and attracting a fanbase of hippies and musos which is perhaps a little unkind. Following on from Tommy and Sgt Peppers rock was the new classical music and could be listened to as serious music.

In direct contrast and at the same time influenced by acts such as Lou Reed, David Bowie, T Rex and Alice Cooper popular music throws up one of its most bizarre twists when it gives us a genre of brickies in makeup that we remember fondly as glam and glitter rock. An expression of sexuality as marketing that is a perverse twist on the lack of women in music at the time. However what can't be doubted was that Glam made some fucking raucous music that still amazes me was played on the radio then and helped pave the way for the punk look and even sound.

While undoubtedly the genre threw up a number of classics it also had it downside. Glam and theatrics permeated every part of the music business... gave muppets like Queen and Kiss ideas of extravagance and opened up another market of saleability. The fact that artists like Sweet and Suzi Quatro all had their hits made and produced for them by the Chinnichap producing and writing team also supported Glam as a marketing idea. Worse years later, influenced by these glam bands and a Johnny Thunders haircut, we would get a wave of USA bands lie Poison, Kiss, Motley Crue and their ilk inflicting pain on our ears.

Why do men like prettying themselves up to look like women ? Now the fans followed suit with earrings, makeup and spiky short hair a la Bowie. Women, however, still had no real outlet in music beyond the teen fantasies being sold to them by the industry and magazines. Suzi Quatro is the one female musicians with, to pardon the expression, balls and will influence many female musicians afterwards.

History Of Black Metal

Behemoth



David Wood: Founder of Neat Records.
" Black Metal is like Black Magic without the chocolate"

Vincent Crowley: Vocalist with cult Black Metal band Acheron
"Venom, the true gods of Black Metal started this whole thing. So to me, it is a music that you can take to an unholy extreme. Songs about Satanism, The Occult, Myths, Blasphemy, and Hell, takes the listener on a journey to the Dark side. Satan always is the center of attention in Black Metal. And band members always have a dark aesthetic. But the main thing is Black Metal has to be the most demonic music ever!"

Malcolm Dome : Rock journalist
Black metal is whatever you want it to be...just think of a number, double it and hey, presto, it's black and inventive. That's the beauty of the bestial side. Anything's possible. Everything's probable.


Gavin Baddeley [ author of Lucifer Rising]

Black Metal is, as these genre labels almost always are, something of a misnomer. Most rockers have always worn black, and more than one outsider has seriously wondered whether the term refers to some kind of afro-Caribbean rock sub-genre (a little ironic considering the genre's reputation for fascist overtones). The other alternative to using the term
however, where special pleading by bands leaves you with as many genres as acts - vampire metal, occult metal, hate metal, and whatever the hell else - is an even more confusing situation. I guess Black Metal as a term is then, appropriately, something of a necessary evil. And if you think about it, even the term Heavy Metal itself is hardly descriptive of the genre,
but it's stuck for want of anything else.

Eighties boozy Satanic thrash pioneers Venom have the best claim to having coined the Black Metal moniker, and even they have distanced themselves from it to an extent. Thankfully, subsequent bands have appeared who have taken the term - and ironically Venom's back catalogue - more seriously than Venom ever did. Most serious fans also concede that Black Metal
predates Venom by decades. Indeed many contend that Black Sabbath's eponymous 1970 debut was the first Black Metal album, and in my opinion the first true Heavy Metal recording. But rock act Black Widow predated Sabbath's Satanic imagery by some months - so are they Black Metal?

I'd say yes, inasmuch as the lyrical content was better researched than Sabbath's, though they never pioneered an ominous new sound in the way Ozzie's outfit did. This perhaps is significant. I think one component to Black Metal is demonic imagery and lyrics, but the other is a musical approach as daring or innovative as the visuals and ideas. These tend to go
together organically. People attracted to the extreme concepts and aesthetics of the Devil tend to enjoy and express themselves in a similarly outrageous and passionate fashion. That this has been almost exclusively in rather monotone terms of anger and aggression among Metal musicians has alienated many Satanists, who also perceive subtlety and seduction in their chosen archetype. Demonic music, they argue, is not just older than Venom, or indeed Black Sabbath. It is far, far older than that, in which grand context either band represent little more than fascinating ripples in a profoundly dark ocean.

Ultimately, this has driven something of a wedge between the established Satanic community, who dismiss Metal as adolescent angst, and Black Metal fans who see such Satanists as tedious old bores. This is a shame - but I'm optimistic that the best of both groups are finding some common ground. More authentic Satanists (as opposed to shock-horror poseurs) are appearing with a grounding in the darker fringes of rock, and more reputable Black Metal musicians (as opposed to band-wagon jumping wannabes) are launching increasingly brave and interesting projects that draw on influences which go back not just decades but centuries. While I wouldn't claim demonic musicians of the distant past like Mussorgsky or Tartini were composing Black Metal, if they were around today they might very well be...


CRIN: Godreah Zine/ Records
Apart from the obvious Satanic imagery, Black Metal is an institution built on the rise of extreme metal in the eighties and solidified by the very real evil of the Norwegian Black Metal explosion of the early nineties. Like Punk, Black Metal transformed a previously unseen select group of outcasts/ bored teenagers into a socially abhorrent reality, sticking two fingers up at the system and to hell with the consequences.
It was an exclusive institution where kids could feed from the brutalisation of a genre through startlingly inhumane acts of violence and an apparent disregard for the stringent laws of the land. A freak show for the masses if you like that has been polished into a musical entity far stronger than it's punk predecessor .
Black Metal has outgrown the underground and become a marketable product much to the disdain of Black Metal purists. The very term Black Metal is now hard to define to an actual style but I would cite the likes of Dark Throne, Marduk, Immortal and Burzum to embrace every hideous echelon of the genre. Every evolving.. is but a new addition of remarkable music loosely entwined within the genre as a whole but never exceeding the archetype of the original blueprint.
In all extreme metals sub-genre's' Black Metal is also one of thee few havens for right wing/ neo nazi purists who are thankfully few and far between and mostly emanate from the former eastern block countries. Black Metal like any other musical embodiment has proved itself a worthy addition to the Metal fraternity and like Death Metal is here to stay, like it or not.

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  • I'm Haydease
  • From Male', Maafannu, Maldives
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